Thoughts on Dyslexia

   Recently we held a webinar that focused on dyslexia, the most common learning disability in the United States. During the presentation Andrew Pudewa shared some basic information on what dyslexia actually is (hint, it’s not simply reversing letters) and described more about the condition and how to appropriately address it. A simplified definition of dyslexia is â€Å"difficulty with reading.† Andrew applies this definition to three areas of potential causes: instructional issues, visual challenges, and auditory difficulties. He then goes on to describe ways that dyslexia can be successfully treated through time-tested educational approaches. If you have a student who you suspect may be dyslexic, listen in to the recording of this thoughtful and engaging webinar. It will encourage you and provide you direction for meeting your student’s needs, both in the classroom and out of it. Don’t despair. With appropriate support and intervention, your student can learn not only to read, but to excel. This webinar will help you to tackle the challenge with confidence.

Critical Review on Robinson Crusoe - 1487 Words

Critical Review on Daniel Defoes Robinson Crusoe Daniel Defoe tells tale of a marooned individual in order to criticize society. By using the Island location, similar to that of Shakespeares The Tempest, Defoe is able to show his audience exactly what is necessary for the development of a utopian society. In The Tempest, the small society of Prosperos island addresses the aspects of morality, the supernatural and politics in the larger British society. In Defoes Robinson Crusoe, the islands natural surroundings highlights the subject of mans individual growth, both spiritually and physically. Nature instantly exercises its power and control over man in the tropical storm that leads to the wreckage of Crusoes ship. The fury of†¦show more content†¦There are no other people to corrupt or destroy the harmony in which Crusoe lives. It was now that I began sensibly to feel how much more happy this life I now led was than the wicked, cursed, abominable life I led all the past part of my days. (Defoe, 112). Along with the criti cism of society, Defoe is able to give representation to the objects around Crusoe that support the idea of the creation a perfect environment. The new-grown barley and corn on the island, which Crusoe calls a prodigy of Nature (Defoe, 78) is really symbolic of the spiritual and emotional growth that is taking place within himself. These grains, however, were also a main source of food for Crusoe. The idea of the island and Crusoe living with each other and giving to one another in harmony fully supports the idea of a utopian society. From isolation to expansion, Crusoe converts fear into bravery. Similarly, the island helps Crusoe convert from pagan into God-fearing. Before his sea adventures begin, religion had little significance to Crusoe. The lack of neither Gods nor his fathers blessing do not concern him when he decides to board a ship bound for London (Defoe, 8). It is when the ship, however, encounters a tempest where wind began to blow and the sea to rise in a most frightful manner (Defoe, 8) that Crusoe turns to God for guidance: if it would please God to spare my life this one voyage, [Â…] I would go directly home to my fatherShow MoreRelated The Life of Daniel Defoe Essay1476 Words   |  6 PagesNot only is Daniel Defoe considered as the founder of the English novel along with Samuel Richardson, but he was also a critical figure in European journalism and political commentary. Defoe has produced as much as 200 works of non fiction and 2,000 short essays in various periodical publications. In addition to over half a dozen full length novels such as Robinson Crusoe, a tale of a shipwrecked sailor stranded on a remote island. 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How Psychology Has Remain A Progressive Science - 1541 Words

Psychology has remain a progressive science due to the many contributions of influential leaders. In this paper I will mention three historical figures who I believe were important in the development of the field of psychology in the past and till this day. Paul Ekman is an American psychologist who became a pioneer in the study of emotions and their relation to facial expressions. He was born in 1934, Washington D.C., he graduated with a Ph. D in clinical psychology from the Adelphi University. Following his work in clinical psychology he became a consultant in the Langley Porter Psychiatric Institute. Ekman is known as the â€Å"human lie detector† due to his expertise in the physiology of emotion, his ability to detect†¦show more content†¦His findings helped psychologist gain knowledge in how facial expressions play an important part in human interactions. His work helps doctors identify when patients are being deceitful and prevent them from harming themselves in the future. 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Doll House Essay Research Paper EnglishAnalysisofDramaINTHENAMEOFTHEFATHERANANALYSISOFNORA THE free essay sample

Doll House Essay, Research Paper English: ? Analysis? of? Drama IN? THE? NAME? OF? THE? Father: AN? ANALYSIS? OF? NORA, THE MEN IN HER LIFE, AND? HER? NAVIGATATION? TO INDEPENDENCE ? The? drama, ? A? Doll? House, ? written? by? Henrik? Ibsen? in? 1879, ? is? considered? a? landmark? in? play? for? its? portraiture? of? realistic? people, ? topographic points, ? and? state of affairss. ? Ibsen? confines? his? narrative? to? the? middle? category. ? He? writes? of? a? society? that? is limited? non merely? by? its? agencies? of? support? but? besides? its? mentality. ? Ibsen? portrays? his characters? as? preoccupied? with? work? and? money, demoing a decrease of values? in? and that deficiency of quality individuals with ethical motives. ? Ibsen? takes? this? realistic? narrative? and? invests? it? with? universal? significance. ? Wrapped? up? in? the? technique? of? this? good? constructed? drama, Ibsen? is consummate? in? his? presentation? of? non? merely? pragmatism, ? but he? holds? a? mirror? up? to the? society? of his twenty-four hours by? utilizing? the male? figures? as? accelerators? for? Nora # 8217 ; s? ultimate? cognition? of? self-actualization. ? He? accomplishes? this? with? such? preciseness that? the? audience? might? non? be? cognizant? all? the? nuances? that? are? making? their theatrical? experience. ? ? In? A Doll House, ? Nora? forges? the? name? of? her? male parent? and? hazards? damaging? her? hubby # 8217 ; s? good? name. ? ? Henrik? Ibsen? offers? singular? penetration? into? the? nineteenth? century? preoccupation? with? the? household? and? the? function? of? the? male parent, and what function is projected upon those who are subjugated to him. ? This? play? takes? up? the? capable? of? strong? adult females? and? weak? work forces within the secret plan. A? prominent? subject? within? this? play? is? the? impairment? of? the? male, ? who is cognizant? of? his? function? as? a? # 8221 ; father? figure # 8221 ; . This decomposition is observed by the female supporter ( Nora ) . It is this descent that the function of the male parent figure is shaped, while making the? accelerator? for the katharsis or? alteration? in? Nora. ? ? When? the? female? supporter? challenges? patriarchal? authorization, ? she? does? so? by? sabotaging? in? one? organize? or? another? both? the? dominant? male? and? his? household? name. The? following? analysis? focal points? on? Nora # 8217 ; s? ultimate? realisation? that? she? must? be? an? emancipated? individual? to? be? her? true? ego. ? Her? pilotage? through? the? elements? of? crises? are? focused? through? the? father-figures? in? her? life. ? The? journey? towards? her? self-actualization? and? lifting? freedom? can be found? within? her? relationships? with? the? work forces? in? her? life. ? This? finally? identifies? the? relevant? thematic? elements? that? are? polar? for? Nora? s? character? development? from a bland kid presenting as what of all time will acquire her through the twenty-four hours into a speculative adult female. Nora develops her possible as a true mature individual with the experience and cognition that she has a longer journey in front of her. A Doll House? makes extended usage? of? the? male parent # 8217 ; s? name, ? and? the? male parent figure. ? Ibsen? subtly? unravels? the? household? as? a? male? dominated? society? about? fatally? preoccupied? with? its? ain? masculine? image while pin downing those who would believe in the myth. ? A Doll House? use? the? male parent? as? a? complex? metaphor? for? a? larger? societal? job? which? constrains? both? work forces? and? adult females. ? Nora # 8217 ; s? character? and? her? developing? adulthood? are? wholly? controlled? and? motivated? by, ? her? male parent? s? name, ? Torvald, ? and? Dr. ? Rank: ? the father-figures? in? her? life. ? ? ? The? gap? scenes? of? A Doll House? focal point? on? Torvald? and? Nora? Helmer? fixing? for? Christmas? with? the? kids. ? The? household # 8217 ; s? economic? jobs? set up Nora? s pending struggle, ? along? with? Torvald # 8217 ; s? place? of? authorization. This? comes? both from his economic laterality and? from? his? ( and? Nora # 8217 ; s ) ? belief? in? his? superiority. ? He? regulations? Nora? and? his? kids? like? a? lampoon? of? a? God. ? He? creates? and subjugates? through? the? animate being? names, ? # 8221 ; lark, # 8221 ; ? and? # 8221 ; squirrel, # 8221 ; when he addresses Nora. For illustration: Is that my small lark chittering out at that place? / Is that my squirrel rummaging about? / # 8230 ; the small lark? s wings mustn # 8217 ; t sag. ( I.154-55 ) By turn toing Nora in such a derogative mode Torvald is decreasing her humanity. Nora, in bend, as portion of her day-to-day character mirrors his feeling of her by ego carry throughing prognostication. She acts like the animate being he has assigned her. She speaks rapidly and perky like a lark or is running about concealing things like a squirrel fixing for winter. Through? the? visit? of? friend? Mrs. ? Linde, ? we? detect? that? Nora? had? to? salvage? a? really? vomit? Torvald? by? borrowing? money? and? by? working? two? entirely? masculine? activities? normally? prohibit? to? adult females. ? Assumption? of? these undertakings? automatically? undermine? Torvald # 8217 ; s? authorization. ? The? secret plan? unfolds? into two? analogues? narratives, ? both? of? them? hinging? on? strong? or? # 8221 ; masculine # 8221 ; ? adult females? and? weak, ? feminine, # 8221 ; ? men. ? ( Paradoxically, ? the? merely? potentially? strong? male? is? Dr. ? Rank, ? household? friend? and? secret? supporter? of? Nora, ? who? is? deceasing. ) ? The? defect? within? this? patriarchal? model? becomes? apparent? when? Nora? discovers that? she? has? no? legalize? name? of? her? ain. ? She? can? utilize? neither? her? married? name? nor? her? maiden? name? to? borrow? money. She finds that she can non? allow? her? male parent # 8217 ; s? name. ? In? other? words, ? as? a? married? adult female? she? has? neither? authorization? nor? individuality. ? While Torvald # 8217 ; s? authorization? remainders? on? his? premise? of? his? natural? and? presumptively? divinely? bestowed? superiority. ? Once? Nora? recognize? the? superficiality? of? Torvald # 8217 ; s? place, ? she? culls? him? as? patriarch? and? herself? as? the? narrowly? defined? married woman. ? When? she? foliages, ? Nora? understands? that she? has? lived? her? life as merely an unquestioning follower, or as a doll in a doll house. Never being able to take or show a hope, desire, thought, or wants, without consideration of the dominant authorization in her life. That? authorization is, ? foremost, ? the? male parent? who? has? literally? died, ? and, ? 2nd, ? the? hubby? who? has? proved? to? be? so? weak? that? he? has? died? for? her? as? an? authorization? figure. ? Nora, ? in? other? words, ? discoveries? herself? incarnating? a ? series? of? dead? or? weak? work forces. ? When? she? stopping points? the? door? behind? her, ? she? foliages? a? house? filled? with? deceasing? or dead? patriarchal? figures. ? A? house? in? which? the? # 8221 ; father # 8221 ; ? as? an? image? of? strength? and of? redemption? has? already? died. But it is merely through the experiences with these work forces that Nora? s comes to oppugn her life. ? Within? Nora # 8217 ; s? interactions? with? the? work forces? in? her? life, ? the? signature? of? dead? male parent? comes? at the? get downing? of? the drama. ? In? this? sense, ? Ibsen? s? composing? becomes? even? more? impressive? as? Nora # 8217 ; s? actions? convey? Forth? the? hidden? powers? of? male parents? and? their? names. ? Nora? recognize? that? the? name? of? her male parent? may? be? all? that? remains? of? him. ? She besides arrives? at? a? basic? realisation? about the Law. An establishment? which? she? turns to for redemption. Her? male parent? s? name? represents? something? from? which? she? ever? has? been? and? ever? will? be? separated. ? It is through Torvald and Krogstad ( the adult male she takes the loan from ) that Nora realizes the nature of her relationship with her male parent and what sort of adult male he was. By? hammering? her? male parent # 8217 ; s? name, ? Nora? tried? to? allow? the? name? of? the? male parent. ? But? as? a? married? adult female? she? can non? lawfully? presume? her? male parent # 8217 ; s? name, ? Since? a? adult female? alterations? her? name? when? she? marries. ? Ironically, ? her? male parent # 8217 ; s? name has? little? existent? or? symbolic? authorization. ? Harmonizing? to? Torvald, ? Nora # 8217 ; s? fath Er? lacked? those? paternal? qualities? of? erectness, ? morality, ? and? strength? that? qualify? a? male parent? as? God. As shown when Torvald says to Nora: All your male parent # 8217 ; s flimsy values have come out in you. No faith, no ethical motives, no sense of responsibility # 8230 ; .. ( III.205 ) ? In? other? words, ? the? name? Nora? wrote? signified? small? or? nil? more? than? itself. ? Even? in? her male parent? s name and its? near? nonsense, ? ? and with her taking it in vain, she begins the events that threaten her household with ruin. Nora? s subjective position of the fortunes force her to utilize? the? name? of? her? male parent? to? mark? a? loan? to? salvage? her? sick? hubby? her? counterfeit? deficiencies? cogency. ? She? can non? invoke? the? symbolic? law/father. ? Nora? efforts? to? link? the? male parent # 8217 ; s? name? with? signature. ? Had? she? genuinely? acquire? her? male parent # 8217 ; s? signature, ? the? papers? would? hold? been? legal, ? because? the? male parent # 8217 ; s? name? serves? as? surety. ? But? since? the? signature? is? false, ? and? it? is? written? by? a? adult female, ? it? signifies? nil? but? the? absence? of? the? male parent. ? By? utilizing? her? male parent? s name? to? subscribe? a legal papers ( a? misdemeanor? of? the? fifth? commandment ) , ? Nora? has? committed? a? sort? of? profanation. ? Her? blind? makes? her? guilty? of? holding? challenged? the? male parent. And in that act she has questioned the jurisprudence, her hubby, and her place within her household and society as a whole. This leads to her katharsis by coercing her to look at herself in a mode that she had neer planned or envisioned. Ibsen? sustains? the? image? of? Nora # 8217 ; s? exclusion? from? the? weakening? patriarchate? Throughout the drama and a series of letters and cards? reinforces? the existent and symbolic? deceases? of? the? father-figure. ? Nora # 8217 ; s? forged? signature? does? in? fact? let? her? to? borrow? money? and? salvage? her? sick? hubby. ? Although? she? publically? attempts? to? construct? up? Torvald # 8217 ; s? image? as? a? banker, ? a? hubby, ? and? a? adult male, ? she? comes to a point where she can non can non? reinstate? in? him? the? fabulous? authorization? that? he? has ever lacked and she ( at one clip ) neer questioned. ? The? Name-of-the-Father? is? all? there? is. ? Dr. ? Rank, a household friend, ? the? merely? adult male with any strength of character has a fatal? unwellness? ? and? announces? his? backdown from? life? by? go forthing a? card? marked? with? an? X. ? This? note? typifying? Rank # 8217 ; s? Good? -bye? has? no? significance, ? but? to? Nora? and? to? Rank? it? means? death. ? In? contrast? to? Torvald, ? the? Doctor? culls? the? furnishings? of? authorization, ? and? he? becomes? Nora # 8217 ; s? best? friend. ? Yet? by? showing? his? love? for? her, ? he is? doing? a? claim? on? her. ? And in this action he prevents? Nora? from? inquiring? for? his? aid. ? As? the? merely father? figure? in? the? drama? that? is? non? a? male parent, ? Rank? merely shrinks when it comes to the possibility of going savior to Nora. ? As physician? he? committed? himself? to? life, ? xing? out, ? his? ain? name, he? accepts? his? decease. This gesture is symbolic to the audience every bit good as Nora? s character. By extinguishing his signature, he is sealing the destiny of Nora and sing that she becomes her ain redemption. ? When detecting Torvald? s reaction to the note Nora inquiries ( perchance for the first clip ) Torvald? s reaction as inappropriate. ? At the flood tide of the drama Torvald? attempts? to? rekindle? Nora # 8217 ; s? break ones back? spirit in an attempt to formalize him and to restore his laterality over his environment. Helmer pleads with Nora: You? loved? me? the? manner? a? married woman? ought? to? love? her? hubby. ? It # 8217 ; s? merely? the? agencies? that? you? couldn # 8217 ; t? justice. ? But? you? believe? I? love? you? any? the? less? for? non? cognizing? how? to? manage ? your? personal businesss? ? No, ? no? merely? thin? on? me ; ? I # 8217 ; ll? steer? you? and? learn? you. ? I? wouldn # 8217 ; t? be? a? adult male? if? this? feminine? weakness? didn # 8217 ; T? do? you? twice? as? attractive? to? me. ? ( III.207 ) Unconsciously, ? Torvald? admits? in? the? last? line? that? he? would? non? be? a? adult male? if? he? could? non? believe? in? feminine? weakness. ? Aroused? by? his? vision? of? Nora # 8217 ; s? weak? muliebrity, ? he? once more? invokes? his? male? strength? and? authorization? by? returning? to? his ? masculine? vocabulary. ? He longs for Nora? to go the? # 8221 ; songbird # 8221 ; ? beneath? his? broad? wings? and? a? # 8221 ; hunted? plunge # 8221 ; that? he? has? rescued that he has referred to in the yesteryear. ? ? Torvald # 8217 ; s? address? assumes? a? godlike? function? by? claiming? both? maternity? and? fatherhood. ? But? the? drama? itself? has? now? undermined? Torvald # 8217 ; s? masculine? powers. ? He? is? impotent? as? a? God? and? dead? as? a? male? authorization? figure, ? and? the? audience? and Nora? realizes? it ( merely? Torvald? does? non. ) In this concluding duologue Nora is changed. Torvald does nil with his insisting but force Nora to truly see the quality of her life matrimony and Torvald? s character. And she? makes? it? clear? that? she? does? non? fault? merely? Torvald, ? but? to? the full? patriarchal? system? that? passed? her? like? a? kid? from? her? male parent # 8217 ; s house? to? Torvald # 8217 ; s. ? Nora? has? already? tried? to? asseverate? her? ain? individuality and? authorization? to? Krogstad. When? she? denied? or? challenged? the? significance? of? the? name? of? the? male parent she was declining to go what has ever be forced onto her. ? In? one sense, ? at the? drama # 8217 ; s? stop? Nora? garbages? to? yield? to? the? masculine individuality? and? insists? on? her? ain ability. She declares her aspiration? to? go? a? individual? who? names her signature? indicates. ? In? her? shutting? lines Nora declares: I? m a human being no lees than you # 8211 ; or anyway I ought to go one. # 8230 ; ..I can? t travel on believing what the bulk says, or what? s written in books. I have to believe over these things myself and seek to understand them. ( III.209 ) Nora? culls? the? patriarchal? household? construction? that? denies? her? an? independent? individuality. ? She? demands? a? transmutation, ? an? development? of relationships based on instruction and equality. ? ? By? rejecting? Torvald, and? by? denying? the? absent? and? dead? male parent? whose? name? she? invoked? with? the? forged? signature, Nora has traveled the distance. She has fostered the ability in herself to oppugn the bogus conventions that have held her in subjection. ? ? By? giving? Nora? the? right? to? walk? toward? her? ain? individuality, Ibsen has given her? the? right? to? happen her? ain? linguistic communication, ? to? mark? her? ain? name. ? Nora # 8217 ; s concluding? gesture? declares? her? separation? from? the? fixed? function of? a? married woman. ? Nora? seems? to? stand as dominant illustration of emancipation. Nora? insists? on? drawing? herself? off? from? Torvald # 8217 ; s? position? of? her? as? a? stereotyped? married woman. ? She? chooses? alternatively? to? see? herself? as? person? in? procedure, ? in? a? province? of? going, ? instead? than? of holding? defined? being. ? Nora? discovers? that? because? her? ain? signature? had? no? value, ? she? had? to? take? the? name? of? the? dead/absent? male parent. Finally? recognizing? that? she? can non? flight? the? shade? or? the? name? of? the? absent? husband/father. ? ? Therefore, through Nora? s association and interaction with her male parent figures she, in a broader sense, ? intimations? at? the possibility? of? a? new moral force for the household and society as a whole. A clip in which the individual, no affair the gender, is allowed to subscribe for him or herself instead, than use the name of an male parent. In? A Doll House? Nora? discovers? herself? disenfranchised? and? disembodied? by? her? male parent # 8217 ; s/husband # 8217 ; s? name. ? This lone occurs by virtuousness of her interior resoluteness and the inherit defects Ibsen has given to the male characters of the drama. She eventually? culls? both her male parent and hubby? and? affirms her aspiration to? compose? her? ain? fate. Ibsen, Henrik. A Doll House. Play: A HarperCollins Pocket Anthology. erectile dysfunction. R. S. Gwynn. New York: HarperCollins. 1993. 153-212.